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Creating a state-of-the-art shark lab in CG
Arrow Media’s Nick Metcalfe goes behind-the-scenes during the making of When Sharks Attack 360
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Andy Waters: Pushing boundaries is vital – especially in tough times
Embracing tech such as virtual production can help navigate challenging periods in a sustainable way, says the Dock 10 head of studios
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Marcus Ryder: AI presents an existential threat to media diversity
Here’s how we can protect the precious progress with have made on diversity from the biases built into artificial intelligence
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John Cassy: It’s early days, but Apple’s virtual reality headset really could change everything
VR will bring in new ways of experiencing and telling stories – and the TV world must be prepared to evolve
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The Future of sustainability in the broadcast sector
With World Environment Day encouraging action for the protection of the environment, Adrian Pennington talks to tech companies about their sustainability plans
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First look at the Apple Vision Pro
Analyst Paolo Pescatore gives a first insight into the new tool, after attending its reveal at the 2023 Apple Worldwide Developers Conference
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Why multi-language audio will “drastically change” YouTube content
Jesse Shemen, CEO and co-founder of AI dubbing firm Papercup, reveals his thoughts on YouTube’s latest feature
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The growing influence of gaming VFX on the film and TV industry
Allan Poore at Unity explains how the lines between gaming and film technology are more blurred than ever
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How we brought Eurovision to UK viewers
dock10 studio manager Adam Balcombe reveals the facility’s work as a production base for the BBC’s transmission
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The creative use of generative AI in post-production
Graham McGuinness at Jigsaw24 Media explains how AI is already helping post-production with creating technical grades and post-producing scripted content
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The rise of France as a VFX hub
Tony White explains why France could soon lay claim to being the next big home for visual effects
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It’s time for an overhaul of TV ratings
Pierre De Lannoy, EMEA Strategy Director at MiQ on how TV ratings need to keep up with changing viewing habits
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Making the South West a VFX and creative production hub
Lux Aeterna’s James Pollock outlines the work of the MyWorld project to bring high-end R&D to the region, especially around AI and real-time rendering
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How Five Mile brought fixed rig to The Dog Academy
Executive producer Adam Chapman reveals why Five Mile Films went with fixed rig production
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AI – boon or bane?
Andre Torsvik, Vizrt VP of product marketing, analyses possible uses for AI in TV production
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Can cloud tech help broadcasters recalibrate news content to meet user demand?
Olivier Bovis, head of media solutions at Sony Europe argues broadcasters can glean important insights from how users engage with news content on social media and how cloud technology can assist
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Vine FX: Why we moved out of Soho
Michael Illingworth of Vine FX explains his company’s journey out of Soho to Cambridge while establishing a global workforce
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Why technical support is heading for a perfect storm
Ian Somerville at Jigsaw24 Media explains why dedicated specialist tech support is more essential than ever before
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Gearing up for a world without traditional broadcast TV
Pierre de Lannoy at MiQ discusses how the industry can adapt to an internet-only TV environment
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Using Dolby Atmos to distribute production music
Garry Judd at Artful Production Music explains why libraries should look to offer Dolby Atmos music mixes